Chronology
1893
Born Rosa Winifred Roberts, 21 December in
Her grandfather was the painter, George Howard, 9th Earl of Carlisle; a member of the Etruscans, close friend of Edward Burne-Jones and William Morris, and Chairman of the Trustees of the National Gallery. Her grandmother, Rosalind Howard, the Countess of Carlisle, was actively involved in several movements, including the Liberal Party, women’s suffrage and the temperance movement.
Childhood spent between
1895
Birth of her sister, Christina Henrietta Roberts.
1900
Birth of her brother, Wilfrid Hubert Wace Roberts.
1906
Father elected Liberal MP for
1911
Grandfather, George Howard, dies. Rosalind Howard gives Winifred his paints.
1912
Attends Byam Shaw School of Art in
1914
Exhibits at the Royal Academy Summer Exhibition, a watercolour
1916
Exhibits at the
As war work she makes plaster casts for artificial limbs.
Late 1919 – early 1920
Travels to
1920
Meets Ben Nicholson at Boar’s Hill,
1921
Rosalind Howard, Winifred’s grandmother, dies.
1921-23
Winifred and Ben spend each winter at Villa Capriccio, returning, via
1922
January: David Bomberg comes to stay at Villa Capriccio for a fortnight.
October: exhibits with the London Group at the Mansard Gallery,
1923
May – June: Winifred and Ben exhibit together at the Wm. B. Paterson Gallery,
Late 1923 they buy a house in
1924
July: Paul Nash comes to stay at Bankshead.
1925
Winifred elected a member of the Seven and Five Society; she exhibits with the Society at all the remaining exhibitions till it closes in 1935.
Summer: Ivon Hitchins comes to stay at Bankshead for two months.
Meets the collector, Helen Sutherland in
1926
Towards the end of the year Winifred and Ben meet Christopher Wood in London and Ben invites him to become a member of the Seven and Five Society.
At the end of the year they meet H.S. (Jim)
1927
April – May: her first solo exhibition at the Beaux Arts Gallery,
While hanging the exhibition Winifred falls through a trapdoor and seriously injures her back, which was complicated by her being pregnant. She is taken to hospital and it is thought she will not recover. However, she recovers sufficiently, due to help from a Christian Science practitioner, to visit her exhibition before it closes.
June: first child born Jacob (Jake) in
1928
March – April: Christopher Wood visits Bankshead.
April: Winifred exhibits Window-Sill, Lugano at the Venice Biennale.
July: joint show at the Lefevre Gallery,
July – September: Winifred and Ben stay at Feock,
Christopher Wood joins them in mid-August. Ben and Wood take a day trip to St.Ives and discover the primitive painter Alfred Wallis.
September – October: Nicholsons and Wood stay in St.Ives. Wood is joined by Frosca
The Nicholsons spend Christmas with William Nicholson, Ben’s father, at Sutton Veny, Wiltshire.
1929
March: 9th Seven and Five exhibition at Tooth’s Gallery shows pictures by Winifred, Ben, Christopher Wood and Alfred Wallis from their recent trip to
July: second child Kate born at Bankshead.
1930
March – April: solo exhibition at the Leicester Galleries,
May: Christopher Wood shares his exhibition at the Galerie Georges Bernheim, with Ben, and the family travels to
August 21st Christopher Wood dies.
1931
July: third child Andrew born at Bankshead
In the autumn Ben leaves and moves to
Winifred and her three children stay at Fishbourne,
1932
Spring: moves with her children to Par,
Autumn: moves to
1932-8
While living in
She begins to paint abstract paintings.
Visits René and Alison Leplat, Villa Alerta,
In
Winifred and the children spend the summers in
1933
August: holidays at Seahouses, on the Northumberland coast, where she and the children are joined by Ben.
November: Winifred and the children in
1934
April - October: exhibits 8 pictures at the XIX Venice Biennale.
Spends the summer in
October: Ben and Barbara Hepworth’s triplets are born.
Winifred and her children spend Christmas in
1935
February: first visit to the painter Jean Hugo’s house, Mas de Fourques.
March: Ben comes to visit in
October: Exhibits two abstract pictures at the 14th Seven and Five exhibition at the Zwemmer Gallery. Ben is keen to avoid confusion and she exhibits under an old family name, Dacre.
November: Wilfrid becomes Liberal MP for Cumberland North, and holds the seat until 1950.
1936
June – July: solo exhibition at the Leicester Galleries,
1937
Winifred writes an article entitled ‘Unknown Colour’, (under the name Winifred Dacre), in Circle, International Survey of Constructive Art, edited by J.L. Martin, Ben Nicholson, and Naum Gabo.
July: exhibits four abstract pictures at the London Gallery in an Exhibition of Constructivist Art (under the name Winifred Dacre).
September: first article devoted solely to the artist published in The Artist, by Alexander Watt, with 4 illustrations.
October: a ‘constructive’ fabric design she made for Alistair Morton’s Edinburgh Weavers, (under the name Winifred Dacre), shown in the
Exhibits 3 pictures at the New English Art Club’s 88th annual exhibition, and becomes a member.
1938
Spends the summer in
September: returns to
November: Winifred and Ben divorce. (He marries Barbara Hepworth soon after).
1940
Moves to her parents’ house, Boothby,
Winifred farms, keeps goats and bees, and runs a small school for local children.
Window-sill, Lugano enters The Tate Gallery, presented by the Contemporary Art Society.
1941
July: solo exhibition at Tullie House,
1944
December: her article, ‘Liberation of Colour’, (under the name Winifred Dacre) published in the World Review.
1946
Visits
April: exhibits 40 pictures at the Lefevre Gallery
Travels in
1947
Spring: visits Vera Moore with Kate, who lived on the river Cher, central
Lady Cecilia Roberts, Winifred’s mother, dies at Boothby.
1948
May: visits Paris and Jean Hugo at Mas de Fourques.
July: solo exhibition at Tullie House,
August: visits the
Meets the poet Kathleen Raine and begins a long working friendship.
1949
February: exhibits 6 pictures in Six Painters at Agnews, and the British Council purchases Midsummer Eve. It is included with two other pictures by her in Eleven British Artists, a British Council touring show to
March – April: visits
May: exhibits 24 paintings at the Lefevre Gallery.
June: visits
October: exhibits in the Annual Exhibition of Local Art at Tullie House; continues to exhibit there regularly until 1979.
Taught a short course at Corsham, Bath Academy of Art.
Winifred organises the unveiling of the Evie Hone window in memory of her late mother Lady Cecilia Roberts at Lanercost Priory,
1950
Winifred and Kathleen Raine make the first of many trips to the
September: visits Cardigan Bay,
December: exhibits Japanese Anemones and Prism at the Carnegie Institute Exhibition,
1951
Commissioned by the Arts Council to paint a large picture for their exhibition, 60 paintings for ‛51’ , and paints Fowls that Fly in the Firmament. Winifred later destroyed the picture.
Easter: visits
Stays with Kathleen Raine at Sandaig, Gavin Maxwell’s house on the Knoydart peninsular with views out to the
1952
February: exhibits 26 pictures at Lefevre Gallery
May: visits Sandaig with Kathleen Raine
July: visits
1953
Visits
March: solo exhibition at the Scottish Gallery,
June: visits the
September: visits
1954
February: exhibits 29 pictures at the Leicester Galleries.
Also that month organises an exhibition of paintings by her grandfather, George Howard, at Leighton house,
Easter: visit to
1956
April – May: trip to
March: exhibits The Hunter’s Moon and The Seasons, at a Contemporary Arts Society Exhibition at the Tate Gallery.
1957
August: visits the Basque area,
1958
April: visits
1959
June: Charles Roberts, Winifred’s father, dies at Boothby. Shortly after Winifred moves back to Bankshead.
1960
April: visits
make regular trips to
About this time begins commissioning local rug makers to make ‘hookie’ rugs and designs some herself.
1962
Oct. – Nov: exhibits 3 pictures (2 as by Winifred Dacre) in British Art and the Modern Movement 1930-40, National Museum of Wales,
1964
September: solo exhibition ‘Wild Flowers in
Winter: visits
1965
March: exhibits 6 pictures in Art in Britain 1930-40 centred around Axis, Circle, and Unit One at the Marlborough Gallery, London (under the name Winifred Dacre).
1967
March: solo exhibition at the Crane Kalman Gallery,
1968
Visits
1969
February: solo exhibition, The Flowers of Winifred Nicholson at the Crane Kalman Gallery, (32 pictures)
May: retrospective exhibition at
December: visit to
1970
Paints in St.Ives,
December: exhibits 12 pictures in Helen Sutherland Collection, the exhibition toured to the Hayward Gallery, London; Laing Art Gallery, Newcastle upon Tyne; Kettle’s Yard, Cambridge; National Museum of Wales, Cardiff; Abbot Hall Art Gallery, Kendal (to May 1971).
1971
Spring: paints in
Winifred encourages and helps the Chinese artist Li Yuan-Chia to open a gallery on the Banks. The
1972
February: solo exhibition at Crane Kalman Gallery, (38 pictures)
November: solo exhibition at Kettle’s Yard,
1973
Spring: paints in
1974
November: solo exhibition at Crane Kalman Gallery,
December: solo exhibition, Paintings 1930-1974 at
1975
Meets the physicist Glen Schaefer who gives her prisms. Begins painting prismatic pictures.
October: solo exhibition of abstract works mostly from the 1930’s, An Unknown Aspect of Winifred Nicholson at Crane Kalman Gallery,
Tate Gallery purchases two abstract works, Quarante-Huite Quai d’Auteuil, and Moonlight and Lamplight.
1976
January: solo exhibition at
Flower Tales, a book of stories that flowers tell by Winifred is published by LYC Press in a limited edition of 500 with colour illustrations of her flower paintings.
1979
May – June: travels to Ouranoupoli, near
July: exhibits at
September: Scottish Arts Council Retrospective exhibition of 72 pictures begins in
1980
May: paints in Eigg,
1981
5 March: dies at home.
24 March - April: Recent Paintings exhibition opens at Crane Kalman Gallery,
